So when Lodovico arrives in Cyprus with orders for Othello to return to Venice, he is shocked and horrified to see Othello strike Desdemona, remonstrating: My lord, this would not be believed in Venice. “For naught did I in hate, but all in honor” (5. "The Othello who enters the bed-chamber with the words, 'It is the cause, it is the cause, my soul', is not the man of the Fourth Act. Iago is noted for his abhorrence of ‘filthy deeds’, his honesty and trustworthiness. This wretch hath part confess'd his villany: Did you and he consent in Cassio's death? Analysis of Othello: Man’s Honor. Instead Othello believes Iago because he is afraid of anything that could possibly tarnish his reputation. When Cassio is asking Desdemona to intervene on his behalf with Othello, Cassio describes Othello as a man "Whom I with all the office [duty] of my heart / Entirely honour" (3.4.113-114). I do beseech your Honor" (III.III, 285,296), to kiss up to Othello but it is also used as a subtle reminder to Othello that his very precious reputation is at stake. The most prominent form of prejudice on display in Othello is racial prejudice. Othello protesting his undying love for Desdemona foreshadows chaos to come when he nought I did in hate, but all in honour." “And say besides in Allepo once,/ where a malignant and turbaned Turk/ beat a Venetian and traduced the state,/ I took by th throat the circumcised dog/ and smote him thus. In the very first scene, Roderigo and Iago disparage Othello in explicitly racial terms, calling him, among other things, "Barbary horse" and "thick lips." Perhaps he realises that, ironically, he has actually brought dishonour upon himself and the whole state of Venice. ACT V Othello reveals the importance of his honor and reputation when he says "Out , strumpet! Othello’s brutal sense of honour is also demonstrated in a scene crucial to the tragedy when Othello decides to murder Desdemona. their desires. The main male characters in Shakespeare’s play Othello kill their wives in order to defend their own honor. Theme Of Honour In Othello 1062 Words | 5 Pages An Exploration of Honour in Othello In Othello, the titular character is a visible minority who holds a high position in the army but falls victim to manipulation by his seemingly trustworthy ensign and friend. He is to save Desdemona from herself, not in hate but in honour; in Gilgamesh was a strong powerful leader who was more of God and stronger than any other king alive. The most prominent form of prejudice on display in Othello is racial prejudice. 246). 2. 356) The only evidence that Desdemona could be having an affair is a missing handkerchief. Othello. Othello’s vehement desire to be punished, rather than run away from the consequences of his actions as Iago does, acts in his favour. ” (5. If Othello had respected Desdemona for her honesty he would have disregarded Iago and never have murdered Desdemona. I'm doing a essay on Othello so I need help with it.' Her murder may be seen as an "honour killing" by her Moorish: thus Muslim husband. 8). Emilia, Iago’s wife, counsels Desdemona on marriage and fidelity. Honour wins and Desdemona dies; Othello thinks honour is saved, and when he realises she was in fact blameless, he exclaims ‘why should honour outlive honesty?’ and commits suicide. Although Cassio says this in order to get his job back, he's sincere; he does truly honor Othello and never doubts that Othello was justified in firing him. Enkidu was then created and he had scaring features that destroyed his reputation and he was referred to as ‘wild man’, this made Gilgamesh to tame him and even put off his marriage with the goddess of love. He says “the justice of it pleases me”, chillingly suggesting that strangling her is the moral and honourable thing to do. Othello is defensively proud of himself and his achievements, and especially proud of the honorable appearance he presents. your honour” iniquity meaning sinHyperbolic Here Iago completely deceives Othello and portrays himself as the opposite to his reality. In these plays, honor is very important to the characters. These are reputations that are a true reflection of the character of their possessors. The deed he is bound to do is not murder, but a sacrifice. Mercenary Moors were, in fact, commonplace at the time. In nearly every case, the prejudiced characters use terms that describe Othello as an animal or beast. As Othello kills himself by his own terms and under the veil of honour, we see a true hero become enshrined. The allegations of Desdemona's affair hurt his pride even more than they inflame his vanity and jealousy; he wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful. This praise might be anticipated from an extravagant courtier like Cassio, but even according to Emilia, who has observed her intimately, Desdemona is ‘heavenly true’, ‘the sweetest innocent’ and ‘chaste’, absolutely undeserving of her punishment. / Be sure of it; give me ocular proof;/ or, by the worth of mine eternal soul,/ thou hadst been better been born a dog/ than answer my waked wrath! Othello criticism became increasingly politically charged as scholars debated the play's relation to modern conceptions of race and racism. Personally, I completely agree with Othello’s actions, he had to do what he thought was best even if everybody else disagreed with it. This means leaving his wedding bed to deal with a drunken brawl and punishing Cassio severely for injuring the governor. Othello values his reputation and does not respect the reputation of others. Othello, in act 3 scene 3 has the utmost respect for his wife: 'Excellent wretch! Othello believed that reputation was everything, because of his status as a general and the fact that those under him and above him respected him. However, there are also reputations unfairly gained: In Act 3 Scene 3, Iago makes a telling comment about the value of personal integrity: He correctly identifies the need to be the same in character as in appearance, so that ‘what you see is what you get.’ In Act 2 Scene 3, he says to Cassio: Reputation is an idle and most false imposition, oft got without merit and lost without deserving. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially. Foolishly Othello believes Iago and accuses Desdemona of being unchaste. Othello says to Cassio, “I’ll make thee an example.” He clearly show his loss of trust in Cassio and Cassio knows this. This made people to ask the god of Uruk to create an opposing ruler who has equal strengths to Gilgamesh so that they might even be left to rest in peace. Perhaps this rebuke has effect, given that Othello enters Desdemona’s bedroom with a greater degree of courtesy and ostensibly motivated by the code of honour which upholds his fellow soldiers (and all men) at the ‘sacrifice’ of his own desires: ‘she must die, else she’ll betray more men.’ He then pursues the violent smothering of his wife so as to be ‘merciful’: ‘I would not have thee linger in thy pain.’ Later he explains to Emilia that he would not have proceeded but for his certain evidence: O! Emilia sums up Othello’s faults as being: These are not the attributes of an honourable soldier. In turn Iago sacrifices his wife, Emilia. Gilgam… Othello’s retribution certainly restores patriarchy and puts any threat to his anxious masculinity to rest. He believes that his high battle achievements have compensated for this status. 2. I have lost the immortal part of myself. He should have realized that Iago has every motive to lie to him. Othello decides that the only way to redeem his honor is to kill himself. 343). When Cassio is asking Desdemona to intervene on his behalf with Othello, Cassio describes Othello as a man "Whom I with all the office [duty] of my heart / Entirely honour" (3.4.113-114). Othello believed that reputation was everything, because of his status as a general and the fact that those under him and above him respected him. 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